Mar 11 2008
Disappearing into the Aloft
Aloft is the story of Jerry Battle’s escape from life’s mundane problems. Retired from his landscaping business at 59, he prefers to spend his time flying his airplane alone above his native Long Island. He longs to live above the fray, to escape the messy entanglements of love and family. Once when Battle is flying, he experiences an odd rush watching his Long Island home fade beneath him. “I’m disappearing,” he thinks. Then, he whispers an aside to the reader: “Let me reveal a secret,” Battle confesses, “I have been disappearing for years.” He is now aloft, emotionally and spiritually untethered, severing the ties that ought to bind.
Just what has caused Jerry to, as he puts it, “disappear” from his own life, is not apparent for the first third of the novel. Lee has a habit of withholding information, of waiting before dropping a backstory like a bomb to alter the emotional terrain. In Aloft the backstory concerns Daisy, Jerry’s long-dead wife and the mother of his two children. Lee mentions her in passing throughout the opening chapters, but not until we are fully absorbed in the stream of Jerry’s present circumstances do we get something approaching a full account.
Except for an occasional line of postmodern critique from Theresa, the issue of race is not raised. Rather, it is part of the fabric of life, expressed through Jerry’s relationships with his father, children and Daisy. None of Jerry’s memories of his marriage reveal much about who Daisy really was, she remains more or less an image of sex and hysteria in broken English. The flashback, though, does show us Jerry in a different light, and we suspect that his inability to connect with or even perceive his wife’s humanity contributed to her alienation. Lee offers no counterpoint to Jerry’s version of Daisy, but allows us to feel its suffocating limitations, Jerry’s terrible and ordinary failure.
Implicit in Lee’s portrait of Battle is a critique of contemporary American life. We may not live in Battle’s world of mini-mansions, subzero freezers and private tennis courts, but we probably recognize at least some of Jerry’s problem in ourselves. In an age characterized by the pursuit of more, more possessions, more stability, many of us feel disconnected, aloft. Lee’s novel helps us to see that an unexpected feature of achieving our American dream is a vague dissatisfaction, a listless distraction from the things that matter most. We see the depth of Battle’s problem that also may help us to recognize the ways we are lost when we withdraw from the ones we love.
